Deification of George Washington?

The Apotheosis of Washington is the fresco painted by Italian artist Constantino Brumidi in 1865 and visible through the oculus of the dome in the rotunda of the United States Capitol Building.

In theology, the term apotheosis refers to the idea that an individual has been raised to godlike stature

The Apotheosis of Washington depicts George Washington sitting amongst the heavens in an exalted manner (apotheosis). Washington, the first U.S. president and commander-in-chief of the Continental Army during the American Revolutionary War, is allegorically represented, surrounded by figures from classical mythology. Washington is draped in purple, a royal color, with a rainbow arch at his feet, flanked by the goddess Victoria (draped in green, using a horn) to his left and the goddess Liberty to his right. Liberty wears a red Phrygian cap, symbolizing emancipation, from a Roman tradition where sons leaving the home and/or slaves being emancipated would be given a red cap. She holds a fasces in her right hand and an open book in the other.

Forming a circle between Liberty and Victory are 13 maidens, each with a star above her head, representing the original 13 colonies. Several of the maidens have their backs turned to Washington, said to represent the colonies that had seceded from the Union at the time of painting. Upside down above Washington is the banner E Pluribus Unum meaning “out of many, one”.

Surrounding Washington, the two goddesses and the 13 maidens are six scenes lining the perimeter, each representing a national concept allegorically: from directly below Washington in the center and moving clockwise, “War,” “Science,” “Marine,” “Commerce,” “Mechanics,” and “Agriculture”. The perimeter scenes are not fully visible from the floor of the Capitol.

Notice the stained glass window in the Congressional prayer room has Washington praying, and above him is what we are expected to be praying to…  the eye of Horus/Osirus/Nimrod